Flags of the Nordic countries

A herald wearing a tabard

Vexillology (from the Latin vexillum, a flag or banner) is the scholarly study of flags, including the creation and development of a body of knowledge about flags of all types, their forms and functions, and of scientific theories and principles based on that knowledge. Flags were originally used to assist military coordination on the battlefield, and have evolved into a general tool for signalling and identification, particularly identification of countries.

Heraldry encompasses all of the duties of a herald, including the science and art of designing, displaying, describing and recording coats of arms and badges, as well as the formal ceremonies and laws that regulate the use and inheritance of arms. The origins of heraldry lie in the medieval need to distinguish participants in battles or jousts, whose faces were hidden by steel helmets.

1835 portrait by Henry Perronet Briggs.

James Robinson Planché (February 27, 1796 – May 30, 1880) was a British dramatist, antiquary and officer of arms. Over a period of almost 60 years he wrote, adapted, or collaborated on 176 plays in a wide range of genres. Planché was responsible for introducing historically accurate costume into nineteenth century British theatre, and subsequently became an acknowledged expert on historical costume, publishing a number of works on the topic.

Planché's interest in historical costume led to other antiquarian research, including heraldry and genealogy. He was elected a Fellow of the Society of Antiquaries in 1829, and was influential in the foundation of the British Archaeological Association in 1843. Appointed Rouge Croix Pursuivant in 1854 and promoted to Somerset Herald in 1866, Planché undertook heraldic and ceremonial duties as a member of the College of Arms including proclaiming peace at the end of the Crimean War and investing foreign monarchs with the Order of the Garter. (more...)

The Raven banner (in Old Norse, Hrafnsmerki; in Old English, Hravenlandeye) was a flag, possibly totemic in nature, flown by various viking chieftains and other Scandinavian rulers during the ninth, tenth and eleventh centuries CE. The flag, as depicted in Norse artwork, was roughly triangular, with a rounded outside edge on which there hung a series of tabs or tassels. It bore a resemblance to ornately carved "weather-vanes" used aboard Viking longships.

Scholars conjecture that the raven flag was a symbol of Odin, who was often depicted accompanied by two ravens. Its intent may have been to strike fear in one's enemies by invoking the power of Odin. As one scholar notes: "The Anglo-Saxons probably thought that the banners were imbued with the evil powers of pagan idols, since the Anglo-Saxons were aware of the significance of Óðinn and his ravens in Norse mythology." (more...)

Coat of arms of Amsterdam

The coat of arms of Amsterdam is the official symbol of the city of Amsterdam. It consists of a red and black shield with three silver Saint Andrew's Crosses, the Imperial Crown of Austria, two golden lions, and the motto of Amsterdam. Several heraldic elements have their basis in the history of Amsterdam. The crosses are thought to represent the three traditional dangers to the city: flood, fire and pestilence. The crown was awarded in 1489 by Maximilian I, Holy Roman Emperor, out of gratitude for services and loans. The crosses and the crown can be found as decorations on different locations in the city. (more...)