Moshekwa Langa | |
---|---|
Born | 1975 Bakenberg, South Africa |
Nationality | South African |
Alma mater | Rijksakademie van Beeldende Kunsten |
Moshekwa Langa (born 1975) is a South African visual artist whose work includes painting, drawing, sculpture, performance, video, and photography.[1]
Biography
Moshekwa Langa was born in South Africa in 1975. He began studying art history around the age of 15, which made him want to become an artist. Some time after high school, he came to view making art as an opportunity to become part of an "ongoing story."[2] He studied at the Rijksakademie van Beeldende Kunsten (the State Academy of Fine Arts) in Amsterdam.[3] As of 2021, Langa was based in Amsterdam and had work on permanent exhibition at MoMA, The Art Institute of Chicago, and the Tate Modern, among others.[4]
Career
Langa has said about his work, "If I had to explain what I do to someone, I would say I make kind of dreamscapes…I try to record aspects of waking and sleeping time."[5] One critic said his work "has interrogated land and public and personal politics through the mapping of territory and cultural environments."[6] Langa's work has also been described as "poetic" and deals with a variety of psychological themes, such as the "elusiveness of meaning."[7] Langa's 1995 installation ("empty, ripped-open, creosote-smeared detergent bags hung on a line like flayed skins") was shown again in 2003 at Brandeis' Rose Gallery and was noted for the interest it caused in Johannesburg and Europe surrounding its undefined meanings. [8] Langa works largely with abstraction and frequently with language/writings and collage.[9]
Selected solo exhibitions
- 2013. Counterpoints. Krannert Art Museum, University of Illinois, Champaign, Illinois.[10]
- 2017. Fugitive. Stevenson Gallery, Johannesburg, South Africa.[6]
- 2018. Relatives. Blain Southern Gallery, London, United Kingdom.[5]
- 2019. Tropic of Capricorn. Stevenson Gallery, Cape Town, South Africa.[11]
Selected group exhibitions
- 1999. Generation Z. Museum of Modern Art, New York City, New York.[12]
- 2002. The Short Century: Independence and Liberation Movements in Africa, 1945–1994.Museum of Modern Art, New York City, New York.[12]
- 2003. How Latitudes Become Forms: Art in a Global Age. Walker Art Center, Minneapolis, Minnesota.[13]
- 2011. Impressions from South Africa, 1965 to Now. Museum of Modern Art, New York City, New York.[12]
References
- ↑ Haye, Christian. "On Moshekwa Langa". Revista Atlantica. Retrieved 21 August 2020.
- ↑ "Moshekwa Langa at Fondation Louis Vuitton". YouTube. Retrieved 31 August 2020.
- ↑ "MOSHEKWA LANGA". Stevenson. Retrieved 31 August 2020.
- ↑ "MOSHEKWA LANGA - Artists - Andrew Kreps Gallery". www.andrewkreps.com. Retrieved 10 November 2023.
- 1 2 "Relatives". Wall Street International Magazine. 27 July 2018. Retrieved 31 August 2020.
- 1 2 "Moshekwa Langa: Fugitive". Contemporary And. Retrieved 31 August 2020.
- ↑ "MOSHEKWA LANGA - Artists - Andrew Kreps Gallery". www.andrewkreps.com. Retrieved 10 November 2023.
- ↑ Cotter, Holland (25 April 2003). "ART REVIEW; Forms That Seem Alive And Can Stir the Pulse". The New York Times. ISSN 0362-4331. Retrieved 10 November 2023.
- ↑ "MOSHEKWA LANGA - Artists - Andrew Kreps Gallery". www.andrewkreps.com. Retrieved 10 November 2023.
- ↑ "COUNTERPOINTS / MOSHEKWA LANGA: MOGALAKWENA". University of Illinois. Retrieved 31 August 2020.
- ↑ Moloi, Nkgopoleng (13 December 2019). "Dust, beauty and geography combine in Moshekwa Langa's Tropic of Capricorn". Mail & Guardian. Retrieved 31 August 2020.
- 1 2 3 "Moshekwa Langa". Museum of Modern Art. Retrieved 21 August 2020.
- ↑ "Artist Interview: Moshekwa Langa". Walker Art Center. Retrieved 21 August 2020.