Caffe Cino
Address31 Cornelia St.
New York City
United States
Coordinates40°43′52.6″N 74°00′10.5″W / 40.731278°N 74.002917°W / 40.731278; -74.002917
OperatorJoe Cino
TypeOff-Broadway theatre
Opened1958
Closed1968
Website
caffecino.wordpress.com
Joe Cino, an Italian-American gay man, opened the Caffe Cino in 1958 as a coffee shop and art exhibition space.

Caffe Cino was an Off-Off-Broadway theater founded in 1958 by Joe Cino. The West Village coffeehouse, located at 31 Cornelia Street, was initially conceived as a venue for poetry, folk music, and visual art exhibitions. The plays produced at the Cino, however, became most prominent, and it is now considered the "birthplace of Off-Off-Broadway".[1]

Joe Cino, an Italian-American gay man, opened the Caffe Cino in 1958 as a coffee shop and art exhibition space. Soon, the cafe was also used for poetry readings and small, experimental theater productions. The Caffe Cino emerged as a venue for new and unknown playwrights, most of whom were gay men. At this time, portraying homosexuality in theatrical productions was illegal under the Wales Padlock Law of 1927 and the Caffe Cino became a center for gay artists to share their work. Many of these projects overtly depicted homosexual themes in a positive manner on stage for the first time. Caffe Cino was listed on the National Register of Historic Places in 2017.

Beginnings and early productions

Joe Cino was born into an Italian-American family, and moved from Buffalo, New York to be a dancer in New York City. After 10 years, he used his $400 in savings and opened the Caffe Cino Art Gallery.[2] Initially, Cino encouraged his friends to hang their artwork on the walls. That led to poetry readings, which led to staged readings and eventually to productions of plays.[3]

Caffe Cino was an Off-Off-Broadway theater founded in 1958 by Joe Cino

During the early days of the Cino, plays were produced on the floor. A makeshift 8x8-foot stage was later created using milk cartons and carpet remnants. Productions were initially limited to 30 minutes, and the audience could stand anywhere. The space was only 18x30-feet, and audience members often perched atop the cigarette machine.[2] Admission was one dollar, and audience members were offered a coffee and an Italian pastry along with the show.[3]

31 Cornelia Street in West Village. At age 26, Joe Cino took $400 out of his savings to buy a coffeehouse on Cornelia Street. And from 1958 to 1968, he ran Caffe Cino which was one of the first safe spaces for gay artists to perform their plays, songs, and poetry despite it being illegal to depict homosexuality on stage at the time

Fire and Cino's death

On Ash Wednesday 1965, a fire destroyed the interior of the Cino. The building's structure was not affected. A new lighting system had been installed, along with the fireproofing of the Caffe's ceiling, which prevented the fire from spreading to the rest of the tenement building.[4] The official cause of the fire was a gas leak, but some suspected that Cino's lover set the fire. The community raised money by staging benefit performances while the Caffe was closed for renovations.[1] Ellen Stewart, founder of La MaMa Experimental Theatre Club, offered Cino and his staff a space to continue Caffe Cino productions on Sunday and Monday nights at her theater.[4]

31 Cornelia Street, West Village, interior of Bombay Bistro, formerly Cafe Cino. Open from 1958-68, Caffé Cino is widely considered to be the birthplace of Off-Off Broadway Theater and was an important incubator space for gay theater.

Joe Cino died three days after an attempted suicide in 1967. Some suspected that the attempt was due to the death of Cino's lover John Torrey and to his drug use.[2]

Open from 1958-68, Caffé Cino is widely considered to be the birthplace of Off-Off Broadway Theater and was an important incubator space for gay theater.

Notable contributors

The Caffe Cino was an incubator for first-time directors, playwrights, actors, and lighting or set designers. Many continued to work in stage, screen, or both after the Cino closed. Notable contributors include:

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