Arnold van Mill (26 March 1921 in Schiedam – 5 October 1996 in Hamburg) was a Dutch bass opera singer.[1]

Debut

He made his debut in 1941 at the Circustheater in The Hague as Wagner in the opera Faust of Charles Gounod. After the Second World War ended, he started to sing at the Flemish Opera. There, he already sang, in Dutch, the great bass roles of the repertoire like Boris Godunov, King Marke, Hagen and Gurnemanz.

Bayreuther Festspiele

His career got a real boost when he was invited, after an audition, to sing at the first post-war Bayreuth Festival in 1951. Wieland and Wolfgang Wagner thought Van Mill was suited well for the roles of Titurel (Parsifal), Hunding (Die Walküre) and Hans Sachs. It was the beginning of a long period in Bayreuth, although it was not as long as it could have been. Van Mill sang all important bass roles in Bayreuth, until a misunderstanding ended the cooperation between Wieland Wagner and Van Mill.

Other roles

Between 1950 and 1980 he was famous not only for his interpretations of roles in operas of Richard Wagner, but also of roles in the operas of Wolfgang Amadeus Mozart and Giuseppe Verdi. He also performed with success in comic operas like Zar und Zimmermann by Albert Lortzing. He worked with the great stars of the fifties and sixties like Kirsten Flagstad, Birgit Nilsson, Christa Ludwig, Herbert von Karajan, Wolfgang Windgassen, Hans Knappertsbusch and Dietrich Fischer-Dieskau.

He was a member of the Hamburg State Opera from 1953 to 1971. He received the German/Austrian honorary title of Kammersänger from this theatre for his duties.[2][3]

His legacy on record consists of, among others, Die Entführung aus dem Serail (Osmin), Tristan und Isolde (König Marke), Die Walküre (Hunding) and Aïda (Ramfis). He also sang in the famous 1959 recording of Mahler's 8th Symphony conducted by Jascha Horenstein.

References

  1. ↑ Cummings, David (2002). "Mill, Arnold van". Grove Music Online (8th ed.). Oxford University Press. doi:10.1093/gmo/9781561592630.article.O903236. ISBN 978-1-56159-263-0.
  2. ↑ George Lascelles, ed. (1963). "unknown". Opera. Vol. 14. UK. p. 190. Retrieved 1 January 2022.{{cite magazine}}: CS1 maint: numeric names: editors list (link)
  3. ↑ "unknown". Neue Zeitschrift für Musik. 123: 471. 1962. Retrieved 1 January 2022.
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